
Lower right corner has crease Kimball Swinger Organ Course Special Effects‘Top of the World’ ©1972 © Copyright 1972 by Alm Music by Bud Coleman Used by Hal Leonard Publishing Corporation. Winona, MN Like new Kimball Swinger Organ Course Special Effects‘Tijuana Taxi’ ©1965 © Copyright 1965 by Irving Music. Winona, MN by Permission Very good Kimball Swinger Organ Course Special Effects‘Sonata Facile’ ©1971 This arr.© Copyright 1971 by Learning Unlimited A Division of Hal Leonard/Pointer Publications Corporation. Words and Music by Carmen Lombardo& Danny Di Minno Used by Hal Leonard Publishing Corporation. Winona, MN Like new Kimball Swinger Organ Course Special Effects‘Return to Me’ ©1957 © Copyright 1957 by Southern Music Publishing Co. Winona, MN Like new Kimball Swinger Organ Course Special Effects‘ Oh Susanna’ ©1971 This arr.© Copyright 1971 by Learning Unlimited A Division of Hal Leonard/Pointer Publications Corporation. Winona, MN Like new Kimball Swinger Organ Course Special Effects‘Maori Farewell Song’ ©1971 This arr.© Copyright 1971 by Learning Unlimited A Division of Hal Leonard/Pointer Publications Corporation. Kimball Swinger Organ Course Special Effects‘I’ve Been Working on the Railroad’ ©1971 This arr.© Copyright 1971 by Learning Unlimited A Division of Hal Leonard/Pointer Publications Corporation. Winona, MN Very good Kimball Swinger Organ Course Special Effects‘Brahms’ Lullaby’ ©1971 This arr.© Copyright 1971 by Learning Unlimited A Division of Hal Leonard/Pointer Publications Corporation. more Course Special Effects‘Andantino’ ©1971 This arr.© Copyright 1971 by Learning Unlimited A Division of Hal Leonard/Pointer Publications Corporation. Altogether, We’re Not In Kansas Anymore is an album any Toto and/or Bobby Kimball fan will want to add to their collection.Kimball Swinger Organ Course Sheet Music"Special Effects" I’ve written a description of each piece of music and condition. Vocally, Kimball sounds much like he did from way back in his Toto days. The featured musicians on the record, including drummer Joel Taylor and keyboardist Derek Sherinian (Dream Theater, Black Country), are all solid players, while Kimball teamed with producer John Zaika and Dave Barnett to write the songs. While the songs offer little in lyrical innovation, the sound and arrangements on We’re Not In Kansas Anymore is pleasant enough. He lets go with his best gospel-like vocal on “Hold On,” and he manages another, even better vocal performance on the ballad “You’ll Be with Me,” with Kimball and the piano working round each other perfectly. He certainly doesn’t disappoint on his solo release, We’re Not In Kansas Anymore.įrom the organ and piano-led opener “Too Far Behind,” to the heavier riffs of “Hey It’s Me,” (with its catchy chorus), to the synth string sweep and slide guitar mid-tempo ballad “Met Her For,” Kimball is mainly routing round white funk MOR. Bobby Kimball was the lead vocalist on the first four Toto albums, lending his distinctive voice to hits like “Rosanna” and “Hold The Line.” Given his credentials, one should expect (at least hope for) strong melodic vocals from Kimball on anything he does.
